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Gigi saul guerrero playboy mexico12/31/2023 ![]() The directors were then given free rein in choosing a subgenre to create a story involving the legend. The film is divided into eight chapters by eight different directors, each relating to a different Mexican legend or myth. The film is part of the new Cine de Terror Mexicano movement. The film was sold to six countries during the Le Marché du Film at Festival de Cannes 2015, including MPI/Dark Sky Films. In 2015, it was released on DVD and VOD in the U.S. It premiered at the Sitges International Fantastic Film Festival on October 8, 2014. Barbarous Mexico) is a 2014 Mexican anthology horror film composed of eight shorts, each by a different Mexican horror film director. “With this ineffectiveness from our government we have no other choice but to believe in the supernatural to protect us.México Bárbaro (a.k.a. “I feel like as Mexicans we have different beliefs, like Santa Muerte and brujeria, because we have lost faith in our government,” she said. “The truth is that there are reasons for the violence and nahuales use their spirit animals for vengeance.”įor that reason, Saúl Guerrero is proud of having filmed her segment in Catemaco, Veracruz, Mexico aside from its natural beauty, it’s a place where politicians come for “limpias,” or cleansings, before starting their electoral campaigns. “I think it is fascinating that Mexicans who grow up with a Catholic upbringing feel like these customs are ones that we should fear, or see as evil that should not be talked about,” said Saúl Guerrero. In Mesoamerican traditions, the nahuales are supernatural creatures who practice black magic and can transform into animals. In “Nahuales,” a politician who has allowed an environmental catastrophe falls into the hands of an Indigenous tribe that doesn’t accept his pleas for forgiveness. “For me, my first choice was the nahuales, who are wolfmen that also have a mysticism aspect that allowed me to be violent and bloody but with a touch of ‘mexa.’” “Every director had the total freedom to create a story that truly represented their country of origin,” she said. There are a ton of influences and that is just what I wanted to do.” Ancestral mysticismĪlthough she has worked on several anthologies, Saúl Guerrero says this is the first one that has a true Latino flavor that takes into account the differences in the countries of origin. “One of my friends mentioned that it also had a bit of John Woo. “Not only him but also Quentin Tarantino, Sam Raimi and many others,” he said. “The Hammer of Zanzibar“ is influenced by the work of Robert Rodriguez, as Brugués freely admits. “The things I saw during those days will forever be etched in my memory,” he said. In the late ’90s Brugués worked as a camera assistant for a Spanish documentary that filmed several Santeria ceremonies. “No matter what, though, I wanted it to be true with the Afro-Cuban religions, because it was based on my first experience as a filmmaker.” “Originally, I had the idea that this would be a full-length film and part of it would take place in Cuba,” said Brugués. He left the island 10 years ago to move to Los Angeles.Īnd while his episode, “The Hammer of Zanzibar,” was filmed in Southern California, the connection to Cuba is still present - the story centers on a group of American students who unleash a Caribbean curse. He traveled around Latin America during his childhood before moving to Cuba. imperialists.īrugués, its director, was born in Argentina to Cuban diplomats. The plot of the movie revolves around an undead apocalypse that the Fidel Castro government blamed on U.S. One of the most important movies in Latin American horror is “Juan de los Muertos,” a zombie comedy filmed in Havana. “We wanted to put that in the film to show that his character had been around the world,” said Méndez. Known simply as the Traveler, Ramírez’s character speaks mostly in English but utters phrases in Spanish and Náhuatl.
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